Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Andrea del Verrocchio
Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia

ID: 61446

Andrea del Verrocchio Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia
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Andrea del Verrocchio Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia


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Andrea del Verrocchio

Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.   Related Paintings of Andrea del Verrocchio :. | Tobias und der Engel | Reiterportrat of Niccolo there Tolentino | The Baptism of Christ | The Baptism of Christ, | Madonna di Piazza |
Related Artists:
James Shannonc
born in the United States and moved to England in 1878 where he trained at South Kensington 1862-1923
Orsi, Lelio
Italian, approx. 1508-87 .Italian painter and draughtsman. A prominent Emilian artist of the mid-16th century, he was influenced by Correggio as well as by the late Mannerist style of Giulio Romano. His large-scale works seem to have been mainly secular decorations, notably illusionistic fa?ades, of which only fragments are extant. Their energy and expressiveness are apparent, however, in the surviving paintings of smaller dimensions. Orsi's sole documented architectural work is the Collegiata di S Stefano, Novellara
Master of the Life of Saint John the Baptist
Italian Byzantine Style Painter, 14th Century






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